Rechtstheorie

Law, Cubism, Semiotics

Jan M. Broekman
Jan M. Broekman
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Beiträge

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USA

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Rechtstheorie

Zitiervorschlag: Jan M. Broekman, Law, Cubism, Semiotics, in: Jusletter IT 2

Cubist form fragmentation, in particular its destruction of a harmonious surface-structure as well as its immanent breach of reference and representation is a sign of silence, which characterizes paintings in general. When the death of a figurative image occurs, language is its first victim. That silence is in the picture – pictures are arranged to radiate silence as a sign, and that purpose seems essential in pictorial representation: Mondrian, Rothko and others painted that fascination ([22] 171). Can one do this at all? What does this mean? Does it give a clue for a new and, above all, an encompassing understanding of the multiple aspects and fragments of our jubilee’s life work?


Inhaltsverzeichnis

  • 1. Painters create signs like lawyers create names
  • 2. Being/Sign
  • 3. The Cubist View and Style.
  • 4. Signs and Names
  • 5. Reflective Painting
  • 6. Cézanne's Brushstrokes
  • 7. Tyche
  • 8. Visual Semiotics, Law
  • 9. References
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